Friday, June 27, 2014

ME AND DAVE: A LOOK BACK AT MY 30 YEARS WATCHING DAVID LETTERMAN

By Barry Dutter

When I was in high school, I was obsessed with David Letterman. Well, I was obsessed with TV in general, but Letterman was special. His show was on late at night, way past my bedtime, but those early years of LATE NIGHT were so funny, so innovative, so unforgettable, that they got me to stay up later than I ever had before. (I mean, I’d never made it past the first half the TONIGHT SHOW before!)
Oh, and one other thing -- they changed talk shows forever.
 As a teenager, my friends and I used to take the bus to New York City to attend tapings of LATE NIGHT WITH DAVID LETTERMAN. Tickets were fairly easy to come by in those days. I would send in a  request to the ticket department at NBC, and a  few weeks later, a pair of tickets would arrive in the mail.
Sometimes I would write multiple letters, in the hopes of getting two pair of tickets for the same day, so I could bring three friends. 
We were seniors in high school, just the right age to welcome a new breed of comedy to late night television. When Dave announced his retirement recently, my friends and I started reminiscing about some of our favorite Letterman moments. All of the moments  were from the first few years of LATE NIGHT, when Dave was at his bitter best.
Among the highlights we recalled: the Late Night After School Special, “They Took My Show Away.“ Any appearance by Chris Elliott, but especially his stints as “The Panicky Guy,” “The Guy Under the Seats,” and “The Terminator Guy.” Any appearance by Larry “Bud” Melman. The time when Dave covered himself in suit of Alka -Selter and lowered himself into a giant tank of water. The time Andy Kaufman came on and got in a fake fight with a  wrestler. All the times when Dave dropped stuff off the roof. Viewer Mail.
Staying up to watch Letterman “live” meant struggling to get up for school the next morning, but it was a sacrifice I gladly made. (Sure, I could’ve set the VCR and taped it for viewing after school the next day, but then I wouldn’t be able to talk about the show in homeroom the next morning!)
I first became aware of Dave when he was a young stand-up comic. I know he was on a short-lived Mary Tyler Moore Comedy Variety Hour in the late 1970s, but I can’t think of a worse fit for him as a performer.
And when it was announced in 1980 that Letterman would be getting his own morning show, just around the time my summer vacation was starting, I made sure to check it out., At 90 minutes, the show was too long, and honestly, not that funny. I remember there were far too many cooking segments. Morning was not a good fit for Dave.
It’s a testament to NBC that they still believed in Dave, despite the failure of his morning show.  They knew that a Letterman show could be successful. They just had to find the right time slot.
It only took 2 years for NBC to announce that Dave would be getting a new show, airing at 12:30 am, after THE TONIGHT SHOW WITH JOHNNY CARSON.  Dave’s new show would be called LATE NIGHT, and I can honestly say it changed my life.
Dave was not your typical friendly talk show host., He was cranky and irritable. When he was in a bad mood, he made sure everyone knew it. And if he did not like or respect or agree with a guest, he made sure everyone knew that, too.
I’ve tried my hand at stand up many times, and I’ve often found that with my nervous energy, I tend to talk too fast. Whenever I think of a role model who knows how to slow down and deliver a joke, and really let it breathe, I think of Dave.
Actual letters mailed to me by NBC!
My friends and I used to imitate Dave all the time. He was the king of the catch phrases, and he used to repeat the same ones over and over again. Many of them were derived from his humble Midwestern upbringing: “My, oh my, we’re having some fun here tonight.” “The is more fun than human beings should be allowed to have.” “This is just an exhibition, not a competition. Please -- no wagering!” “And as if that wasn’t enough -- and, by gosh -- don’t ya think it oughtta be?”
I remember how hard it was staying up past midnight to watch Letterman’s show. Some of the earliest uses of my family’s VCR were to record LATE NIGHT.
But it was so much better to watch it the night it was on -- so you could talk about it at school the next day, and be part of the water cooler buzz.
I thought it would be fun to attend a taping of an episode, so I wrote in for tickets. When that first pair of tickets arrived in the mail, I was hoping we would get to see some big stars. Instead, the guests that day were Regis Philbin and some recurring whack job named Brother Theodore.
But the guests were almost irrelevant. For me, the biggest thrill was getting to see Dave live and in person, doing his thing. Letterman was famous for being the only TV host to do his own “warm-up” This meant that he came out before the show and chatted with the audience for a few minutes. TV shows traditionally hire a relatively unknown comic or announcer to do that.
Before the taping of each show, Dave would ask if anyone in the audience had any questions. This gave me the chance to do something I could never do with Johnny Carson or Jay Leno or any other talk show host: I had the chance to actually talk to Dave. He would always start out by asking what my name was and where I was from.
I would always try to prepare a good question or a funny comment beforehand.
One time I told a funny joke to Dave that got a good reaction from the crowd. A few minutes later, the show started. Dave came out and did his monologue, and repeated my joke from earlier. Then he explained to the folks at home that the joke had been given to him by “a nice young man from Scotch Plains, NJ.”
I loved having that shout-out on national television. In a sense, I had just written a joke for my favorite late night host. I didn’t get paid for it and they didn’t mention me by name, but I knew that the joke was mine, and I made sure all my friends and family knew it, too.
From 1982 to 1985, I must have attended the tapings of  25 or 30 Letterman shows in New York with my friends. I sent in dozens of requests for tickets, maybe even hundreds. I didn’t want NBC to think that it was one guy writing in all those requests, so I started using fake names with my home address.
I got very creative with the names. I wanted to see if there was any name that the NBC ticket department wouldn’t send tickets to. Over the years, I received envelope addressed to Pablo Pequeno (AKA Paul Small), Lady LaVentanilla (AKA Lady The Ticket Window); Guy Manlike; Guido “The Killer” Scarpelli, and my personal favorite, John “yeah” Bravo. (it was supposed to be Johnny Bravo, but NBC really messed up the spelling on that one!)
As time went on, and the show became more popular, the Late Show became harder and harder to get tickets to. What had once been a  twice-weekly thing became once a month or less. The waiting time started getting longer and longer.
( In comparison, the waiting time for tickets to Saturday Night Live, another NBC show that taped in the same building, could be a year or more. In three years of trying, the best I could manage to get was tickets to one SNL dress rehearsal.)
Eventually, the novelty kind of wore off and we stopped going to see Letterman live. Truth is, watching the show live is really not that different from seeing it on TV. And after Late Night had been on for a  few years, it no longer seemed as fresh and funny as it had in the beginning.
His humor, which had relied completely on Dave’s  clever wit and odd turn of a phrase,  slowly degenerated into him making faces and shamelessly mugging for the camera. He still got laughs, but it seemed to me he was now going for easy laughs. He was no longer working as hard to earn them.
In 1993, Letterman left NBC and the hallowed halls of 30 Rock for a new gig, hosting the Late Show over at CBS. I was curious about what the new set-up as like, but by this time, writing in for tickets was no longer a priority.
In 1996, I moved to South Florida, which you would think would mark the end of me seeing Letterman live.
Except for one completely random publicity stunt that brought me face to face with Dave one last time  -- though I almost wish it hadn’t! In 1997, the Late Show announced plans to fly in audiences from different cities to attend tapings of the show. One of the cities they announced as part of this grand experiment: Miami!
Sitting in the audience at THE LATE SHOW!
As fate would have it, I was living near Miami at the time, so I figured I had nothing to lose by writing in for tickets.
A few weeks later, I found out that I had won a  pair of tickets. But who to bring with me? I ended up inviting Jessie, a cute bartender girl I had just met a  few weeks before. Jessie was a lot younger than me. She was only 22 to my 36, and she had never seen David Letterman on TV before.
As a die-hard Letterman fan for over two decades, it blew my mind to think that there might be someone who had never seen Dave on TV before. I figured it was a generational thing. I guess the next generation just doesn’t have that same fixation on late night talk show hosts that my generation did.
Flying, Miami-style!
So it came to pass a short time later that Jessie and I found ourselves on a  plane with about 100 other South Floridian Letterman fans flying to New York to attend a special taping of the Late Show with David Letterman.
Jessie had never been to New York before, so it was fun seeing the big city through the eyes of a newbie. The first day, we were free to do whatever we wanted. Jessie had a short bucket list of things to do in New York, which included riding a  subway, eating a  hot dog, and seeing Central Park.
In one afternoon, we checked off everything on her list.
The next day, we got down to the main event: attending a live taping of THE LATE SHOW. The premise of the episode was that Dave would pretend that he had moved the show to Miami for one day. The set had been redecorated to make it look like we were in South Florida, and everyone in the audience was from the Miami area. (Apparently it was cheaper to fly 100 people up from Miami than it was to move an entire TV production down south for one day.)
It was around 3PM that Jessie and I, along with the other 98 or so Miamians, were led into the studio and directed to our seats. Of courser, I was jazzed about the chance to talk to Dave before the show. I even had a good question for him. I planned on saying, “Hi Dave. This is my friend, Jessie. It’s her first time in New York City. Do you have any advice for her?”
This is what’s known in the comedy world as, “Feeding the comic a straight line.” I figured the quick-thinking Dave would have some fun with that one, and maybe even get some material he could use on the show.
At least, that was the question I planned to ask. Shortly after we arrived, Dave came out and chatted up the audience. He asked if anyone had any questions. This was my big moment. My hand shot up -- and I guess I must have been a little nervous or distracted, because instead of asking the question I had intended to ask, it came out very differently.
“Hi Dave. This is my friend, Jessie,” I began. “She’s never seen your show before, and I was wondering if you have any advice for her.”
I used to own this shirt! 
Now, this was a true statement, but it was absolutely not what I had intended to say. You have  to understand that the whole premise of the episode was that CBS was flying fans of the Letterman show to New York and putting them up in a hotel for the night. The key words there being, “Fans of the show.”
Dave was stunned. Here it was, minutes before showtime, and some jerk (me) was bragging about he and his girlfriend had conned CBS out of a free trip to New York without ever having seen his show before!
Now, let me clarify a few things here. 1) I never said Jessie was my girlfriend, and 2) I never said that I hadn’t seen Dave’s show before. Of course, I’d been a fan for over 15 years. But at that moment I felt like a first-class heel.
Dave was flabbergasted. He started poking fun at us in the few minutes left of his warm-up. We figured it would stop by the time the show began. But we couldn’t have been more wrong.
When the show started, Dave came after is with guns a-blazing. He started the show by telling the home audience how some idiot in the audience had bragged about never seeing his show before. Dave did his impression of me, basically doing his “dumb guy” voice, saying, “Hey man,. I’ve never seen your show before, but we got you suckers to fly us to New York, man!”
Jessie tries her first NY hot dog!
Funny, just a few years earlier he had referred to me as “a nice young man from Scotch Plains, NJ.” But now I was apparently a dumb jock from Miami!
An exasperated Dave wouldn’t let up. He turned to his producer off-camera and explained the while idea of flying in an audience from another city. “They’re supposed to have seen the show before!” he fumed.
I was afraid Dave might kick us out of the theater, but he knew it was better to keep us trapped there for the whole show. The audience laughed at all of Dave’s jokes. I dare say, it was a funnier show because of Dave’s constant attacks on us. At one point, when guest George Hamilton referred to an unruly customer at his restaurant in Miami, Dave nodded toward me and said, “I think that guy is here tonight!”
A couple of times when Dave referred to Jessie and I, they would turn up the house lights and cut to a shot of us. We got way more attention than anyone else in the audience, though I swear that was never my intention.
Jessie took the whole thing in good stride, but she confided to me in private, “If they show us on TV one more time, I’m going to cry!”
Dave is at his best when he is angry, and he was on fire that night. He wouldn’t let up. He referred back to us every chance he got. The most unforgettable line of the night was when Dave looked at me and said, “I don’t see Jay Leno flying your ass anywhere!”
Finally the hour ended (it seemed much longer for Jessie and I) and afterward, the other audience-members came over and gave us either high-fives, or their sympathy, or a  combination of both.
It might be argued that my little faux pas with Dave before the show made for a  better episode of THE LATE SHOW. It could be said that the episode was much funnier because I inadvertently pissed Dave off.
That was the last time I ever saw Letterman live. I haven’t really watched his show much since then, not because of anything Dave did that night, but more because I’d just grown tired of conventional talk shows over the years.
And yes, since he moved to the 11:30 slot on CBS, Letterman’s show had become much more conventional than it was during the unpredictable NBC years.
These days, if I’m going to watch any late night show, I will go for John Stewart, who sometimes mugs as shamelessly as Dave does, but somehow with Stewart, it just seems fresher and funnier.
Even though I kind of bailed on Dave Letterman during the final years of his late night career, I was there for the early, essential years, and I will never forget the influence he had on me. Those early years of LATE NIGHT defined Dave as the quintessential talk show host of his generation. (There is a reason why Jimmy Fallon and Jimmy Kimmell and Seth Myers and Cona O’Brien list Dave as their biggest influence.)
There was a period from the 80s to the 890s when Letterman was the most unique voice in late night. To borrow one of Dave’s famous phrases, you knew him, you loved, you couldn’t live without him.
But now you will have to. Good night, Dave, and thanks for letting us have more fun than human beings should be allowed to have.



















Thursday, June 5, 2014

FAREWELL TO THE WALKING DEAD

By Barry Dutter

I’ve read every issue of THE WALKING DEAD comic. But now, after 127 issues, I feel it’s time for me to say goodbye to a comic that has given me so many hours of enjoyment over the years.
“Why?” you may ask. Why does anyone stop reading any comic after a prolonged period? Because it no longer entertains me as it once did. Actually, this goodbye has been coming for a while now. It’s been slowly building over the last few years.
I wasn't aware of the THE WALKING DEAD when the first issue came out in 2003. Like most TWD fans, I came aboard a few years later, catching up with the trades and then eagerly devouring each new issue of the comic as it came out.
Although I've been a regular reader for a while now, I really haven’t fully enjoyed THE WALKING DEAD since the end of the Governor storyline, and that was a long time ago. (2008, to be exact.)
So why has it taken me so long to drop a book I stopped liking six years ago? Simply put, I enjoyed the Governor storyline -- a lot. I thought it was far and away the best storyline THE WALKING DEAD ever had.
It introduced one of the all-time greatest villains in the history of comics, in a story that pushed the main characters to the edge and back.
It was a tough act to follow. But the secret of the success of THE WALKING DEAD -- both the TV show and the comic -- has been the fans’ insatiable desire to know What Happens Next.
Even when the comic (and the TV show) are bad, or boring, you still hang in there, because you feel like you have to know what happens next.
The Governor story felt like writer/creator Robert Kirkman was taking you on a journey where he knew exactly where it was going, but he kept you guessing every step of the way.
The stories in the comics since then just have not had that same appeal. Issues #50 to #100 are kind of a blur for me. After the demise of the Governor in #48, the next truly memorable moment for was the introduction of Negan in #100.
That issue featured one of the most shocking deaths in the history of the series, as one of the most beloved characters, Glenn, met his end at the business end of Negan’s baseball bat.
This was a powerful introduction to Negan, a villain who seemed to have some Governor-type overtones to him, only on a larger scale. (The Governor only controlled one city. Negan controlled a much larger territory.) As the story wore on, the similarities  between the Governor and Negan seemed to grow and grow, despite Kirkman's vehement denials that any such similarities existed. At this point, I wonder if Kirkman is capable of creating another human villain who is not a  copy of the Governor.
By the time #100 came out, I had gradually become disenchanted with the comic, and I made a decision that I would stick around only till the end of the Negan storyline, and then I would move on.
The Negan story dragged on for about a year when it seemed like it would come to an abrupt end in issue #112, when Rick appeared to shoot Negan in a dramatic two-page spread. Turns out those 2 pages were just a big tease, as Negan survived Rick’s attack. (One definitely got the sense that Kirkman was just treading water, eager to keep this particular story going for as long as he could.)
The story meandered on for another year or so, finally culminating in a 12-part saga called “All-Out War.” The “All-Out War” arc turned out to be just a continuation of the same saga that had been ongoing for a while.
 Finally, after 27 issues, the Negan saga ended with a whimper. Fans were denied the satisfaction of seeing Negan killed. Instead, Rick slashed Negan's throat  with a knife, and then instantly ordered his medical people to patch him up. Rick decided that killing Negan was not the right thing to do; he felt the more humane thing to do would be locking him up  for the rest of his life.
For fans who had been following the Negan saga for 2 years, it seemed a rather anticlimactic finish. (Honestly, I would swear the story went on for 50 issues, not 27.)
By this point, I had tired of the series. The next issue promised “A New Beginning.” “Fine, “ I decided. “I’ll give Kirkman one last chance to keep me hooked.”
“The New Beginning” turned out to be more of the same. It was a quiet issue where some new survivors are introduced and the gang takes them in. Blah blah blah, same old, same old. Kirkman seems to have painted himself into a corner where he is destined to repeat the same types of stories over and over. Basically it’s Rick and the gang, perennially trying to find a safe place they can call home, while dodging zombies and meeting new human villains.
I realize that is the premise of the book, but it’s one that I feel has run its course. It would be great if Kirkman could shake it up a bit -- have a zombie who acquires intelligence and takes over leadership of all the other walkers… or have one of the human heroes become a zombie who sticks with the good guys and fights other zombies…
Maybe even introduce other supernatural elements besides zombies, such as werewolves or vampires.
Any one of these ideas would intrigue me enough to keep buying the comic. But as it is, I feel each issue is just bringing more of the same.
As for the TV show -- I’ve stuck with it since episode one, but it has been rough going, at times. Season two was a slog that almost drove me away for good.  I've thought about walking away from this show more times than any other show I've ever watched. 
But then season 3 got real strong, and the first half of season 4 kept me at the edge of my seat.
But now that season four has ended and the TV Governor is no more, we’re stuck at the same point the comic was at in 2008. The big question: will the TV show be able to tell compelling stories beyond the Governor?
Season four ended with a cliffhanger, with the gang trapped by the apparent cannibals of Terminus. So, of course, I have to stick around to see how it all turns out. But I can’t promise I will stay beyond that. We will see.
Even though I’m saying goodbye to THE WALKING DEAD comic at this time, it doesn’t have to be forever. If they get a new artist, I might check it out. If they do something radically different from what has gone before, I might pick it up. If they kill a major character, well, I'll probably flip through the issue in the store, even if I don't purchase it.
Over the past few years, THE WALKING DEAD has been the only comic I have followed on a regular basis, and I’ve enjoyed having a reason to go to the comics shop once  month (or sometimes twice a month) to pick up the new issue. Now that I’m dropping my last monthly book, I do feel a tinge of sadness that my 40-year weekly comic-buying ritual is coming to an end.
I’m glad to have had THE WALKING DEAD as part of my life for the past few years. It’s been a fun ride, but I really stayed a few years longer than I should have. For me, reading THE WALKING DEAD has been like being in a bad relationship that you know is going nowhere, but you just can’t bring yourself to let go.
Now it’s time. So goodbye, WALKING DEAD, and thanks for all the brains.

Monday, May 12, 2014


WHO ARE THE LONGEST RUNNING TV ACTORS?


By Barry Dutter

Which actors have had the longest runs on television?
I’m talking about actors here, not talk show hosts or game show hosts or news anchors. I’m strictly talking about performers who were hired to play characters on TV in either prime-time network TV, cable TV, late-night, syndication, or live-action Saturday morning shows.
I’m also not including animation work. If I included animation, than the cast of THE SIMPSONS would beat just about everyone. Likewise, I’m excluding voice-over work, as my list is based on performers who were hired so their faces could be shown on TV.  Thus, I do not count Ron Howard’s four plus years of narrating ARRESTED DEVELOPMENT or Bob Saget’s 9 years as the narrator of HOW I MET YOUR MOTHER.
It’s a well-known fact that Regis Philbin holds the Guiness World Record for most hours on TV, at 17,000. But Philbin was not an actor. He was a game show host or talk show host.On this list, I'm talking about actors.
I counted only actors who were featured players on shows, not guest performers who popped up for only one episode. I did count shows that were cancelled after very short runs. My feeling is, if an actor was hired to work on a full season of a show, and the show was cancelled after 6 episodes, that still counts as a year in which that actor was featured on TV.
The late Michael Landon holds the #1 slot at 28 years in starring roles on TV. (He was about to begin work on another series when he passed away.)  Tied for second place are two actors who could not be more different: Richard Belzer and Ted Danson. Belzer spent 26 years spent playing the same character -- Detective Munch -- on three different shows. Danson will be back next season for another year of CSI, which will pull him ahead of Belzer and put him within reach of the #1 slot. Others to watch out for include Julia Louis Dreyfus, Alysa Milano, and Courtney Cox, who just seem to jump from one long-running show to another. And then there are those old warhorses, Bill Cosby and Betty White, both of whom are still active in TV. Don’t be surprised of those old-timers end up outlasting everybody!
A final note: I excluded daytime soap opera actors, because those actors can often toil away for decades on a show without ever being known by the general public. I do know that Susan Lucci played Erica Kane on All My Children for a whopping 41 years (which puts her ahead of everyone on this list) and there are probably other soap actors who have got her beat. But that's a list for another day.
Here is my list of the longest running actors on TV. (Please note: This list is in no way meant to be definitive. I welcome additions and corrections.)

1)  MICHAEL LANDON:
Bonanza: 14 Years
Little House on the Prairie: 9 Years
Highway to Heaven: 5 Years

Total: 28 Years



2) RICHARD BELZER
Homicide: Life on the Street 7 years
Law & Order 4 years
Law & Order: Special Victims Unit 15 years
Total 26 years
(Also had a recurring role on The Flash TV series in 1990)





3) TED DANSON

Cheers: 11 Years
Ink 1 Year
Becker 6 Years
Help Me Help You 1 Year
Damages 2 Years
Bored To Death 2 Years
CSI: Crime Scene Investigation: 3 Years (so far)
Total: 26 Years
(Note: Danson did 7 years on daytime soap operas, which, if those shows are included, puts him ahead of everyone on this list.) 



4) HEATHER LOCKLEAR

Dynasty: 8 Years
TJ Hooker: 4 Years
Going Places: 1 Year
Melrose Place: 6 Years
LAX: 1 Year
Spin City: 3 Years
Melrose Place (reboot): 1 Year
 Franklin & Bash: 1 Year (so far)

Total: 25 Years


5) CHRISTOPHER MELONI
1st & Ten: The Championship 2 Years
The Fanelli Boys 1 Year
The Boys 1 Year
Misery Loves Company 1 Year
NYPD Blue 1 Year
Leaving L.A. 1 Year
Oz 5 Years
Law & Order: Special Victims Unit 12 Years
Surviving Jack 1 Year
Total: 25 Years




6) BILL COSBY
I Spy: 3 years
The Bill Cosby Show 2 years
The New Bill Cosby Show 1 year
Cos: 1 year
The Cosby Show: 8 years
You Bet Your Life 1 year
The Cosby Mysteries 1 year
Cosby: 4 Years
Kids Say the Darndest Things 2 years

Total: 24 years


7) BETTY WHITE
Life With Elizabeth: 2 Years
Date With the Angels 1 Year
The Mary Tyler Moore Show 4 Years
The Betty White Show 1 Year
Mama’s Family 2 Years
Golden Girls 7 Years
Golden Palace 1 Year
Maybe This Time 1 Year
Ladies Man 1 Year
Hot In Cleveland: 4 years (so far)

24 Years

8)   DENNIS WEAVER
Gunsmoke: 9 Years
Kentucky Jones: 1 Year
Gentle Ben 2 Years
McCloud 7 Years
Stone: 1 Year
Emerald Point N.A.S. 1 Year
Buck James 1 Year
Lonesome Dove The Series: 1 Year
Wildfire: 1 Year
Total: 24 Years




9) KELSEY GRAMMER
Cheers 9 years
Frasier: 11 years
Back to You 1 year
Hank 1 year
Boss 1 year
Total: 23 years


10) TED McGINLEY

Happy Days 4 Years
Love Boat 4 Years
Dynasty 2 Years
Married With Children 8 Years
Sports Night 1 Year
Charlie Lawrence 1 Year
Hope & Faith 3 Years

Total 23 Years



11) ALYSSA MILANO

Who’s The Boss: 8 Years
Melrose Place: 2 Years
Charmed: 8 Years
My Name is Earl: 1 Year
Romantically Challenged 1 Year
Mistresses: 3 Years (so far)
Total: 23 Years


12) DAVID SPADE

Saturday Night Live 6 years
Just Shoot Me! 6 years
8 Simple Rules 2 years
The Showbiz Show with David Spade 2 years
Rules of Engagement 6 years
Total: 22 years

13) LUCILLE BALL
I Love Lucy: 9 years
The Lucy Show 6 years
Here's Lucy 6 years
Life With Lucy 1 year

Total: 22 years

14) COURTENEY COX
Misfits of Science 3 years
Family Ties 2 years
The Trouble with Larry 1 Year
Friends 10 Years
Dirt 1 Year
Cougar Town 5 Years (so far)
Total: 22 Years



15) LORNE GREENE

Sailor of Fortune 3 Years
Bonanza 14 Years
Griff 2 Years
Batrtlestar Glactica 1 Year
Galactica 1980: 1 Year
Code Red 1 Year

Total: 22 Years

16) CLORIS LEACHMAN

Charlie Wild, Private Detective 2 years
Bob and Ray 1 Year
Lassie 1 Year
Mary Tyler Moore Show 5 Years
Phyllis 2 Years
The Facts of Life 2 Years
The Nutt House 1 Year
Walter & Emily 1 Year
Thanks 1 Year
The Ellen Show 1 Year
Raising Hope 4 Years

Total 21 Years



17) JULIA LOUIS DREYFUS

Saturday Night Live 3 Years
Day by Day 1 Year
Seinfeld 8 Years
Watching Ellie 1 Year
The New Adventures of Old Christine 4 Years
Veep 3 Years (so far)

Total: 20 Years

18) JASON BATEMAN

Little House on the Prairie 1 Year
Silver Spoons 2 Years
It's Your Move 1 Year
Valerie/Hogan Family: 5 Years
Simon  1 Year
Chicago Sons 1 Year
George & Leo 1 Year
Some of My Best Friends 1 Year
The Jake Effect 1 Year
Sit Down Shut Up 1 Year
Arrested Development 5 Years
Total: 20 Years


19) SHERMAN HEMSLEY

All in the Family: 2 Years
The Jeffersons: 11 Years
Amen: 5 Years
Goode Behavior 1 Year
Clunkers 1 Year

Total: 20 Years

20) JAMES ARNESS:
 Gunsmoke: 20 Years
Total: 20 Years



21) GERALD McRANEY
Simon & Simon: 8 Years
Major Dad: 4 Years
C.P.W.: 1 Years
Promised Land: 3 Years
Deadwood: 1 Years
Jericho: 1 Year
Undercovers: 1 Year
House of Cards: 1 Year
Total: 20- Years


(NOTE: McRaney had recurring roles on Fairly Legal, Mike & Molly, Southland, Justified, Women's Murder Club, The West Wing, Mister Sterling, Presidio Med, Third Watch, JAG and Designing Women, but technically he was not the STAR of any of those shows.)

22) LEE MAJORS

The Big Valley: 4 Years
The Virginian 1 Year
Owen Marshall, Counselor at Law 3 Years
The Six Million Dollar Man 4 Years
The Fall Guy 5 Years
Raven 1 Year
Too Much Sun 1 Year
Total 19 Years


23) RON HOWARD

The Andy Griffith Show 8 Years
The Smith Family 1 Year
Happy Days 10 Years

Total: 19 Years


24) ED ASNER

The Mary Tyler Moore Show: 7 Years
Lou Grant: 5 Years
The Bronx Zoo: 2 Years
Off The Rack: 1 Year
Thunder Alley: 1 Year
Working Class: 1 Year
Studio 60 on the Sunset Strip: 2 Years

Total: 19 Years


25) JOHN RITTER
 The Waltons: 4 Years
Three's Company: 8 Years
Three's A Crowd: 1 Year
Hooperman: 2 Years
Hearts Afire: 2 Years
8 Simple Rules:: 2 Years

Total: 19 Years

26) DICK VAN DYKE

The Dick Van Dyke Show 5 Years
The New Dick Van Dyke Show 3 Years
The Van Dyke Show 1 Year
Diagnosis Murder 9 Years
Total: 18 Years


27)  MARY TYLER MOORE
Richard Diamond, Private Detective 1 Year
The Dick Van Dyke Show 6 years
The Mary Tyler Moore Show 7 years
Mary (variety show) 1 year (1985-86)
Annie McGuire 1 Year
New York News 1 Year
The Mary Tyler Moore Hour 1 year

Total 18 years



28) PATRICIA HEATON

Room For Two 1 Year
Someone Like Me 1 Year
Women of the House 1 Year
Everybody Loves Raymond 9 Years
Back To You 1 Year
The Middle 5 Years (so far)

Total: 18 Years


29) SAM WATERSTON
 Q.E.D. 1 Year
I'll Fly Away: 2 Years
Law & Order: 15 Years
Total: 18 Years




30) MARG HELGENBERGER

Shell Game 1 Year
China Beach 3 Years
CSI: 13 Years
Intelligence 1 Year

Total: 18 Years





31) CARROLL O'CONNER
All in the Family: 8 Years
Archie Bunker's Place: 4 Years
In the Heat of the Night: 6 Years

Total: 18 Years




32) GAVIN McLEOD
 McHale's Navy: 2 Years
The Mary Tyler Moore Show: 7 Years
The Love Boat: 9 Years

Total: 18 Years





33) ANDY GRIFFITH
Andy Griffith Show  8 years
Matlock 9 years
Total: 17 years


34) BOB NEWHART
The Bob Newhart Show 6 years
Newhart  8 years
Bob: 2 years
George and Leo 1 year

Total: 17 years
35) JAMES GARNER

Maverick  5 Years
Nichols 1 Year
The Rockford Files 6 Years
Bret Maverick 1 Year
Man of the People 1 Year
First Monday 1 Year
8 Simple Rules 2 Years
Total: 17 Years
36)  MARISKA HARGITAY
E/R 1 year
Law & Order: Special Victims Unit 15 years (so far)
Total 16 years

37) ED O’NEILL
Married… with Children 10 years
L.A. Dragnet: 1 year
Modern Family: 5 years (so far)

Total: 16 years







38) JOHN FORSYTHE

Bachelor Father: 5 Years
The John Forsythe Show: 1 Year
To Rome With Love: 2 Years
Dynasty: 8 Years
The Powers That be: 2 Years

Total: 16 Years
(NOTE: He also did 5 years as the voice of Charlie on CHARLIE'S ANGELS.)


39) TIFFANI THIESSEN
Saved by the Bell 4 years
Saved by the Bell: The College Years 1 Year
Beverly Hills, 90210 4 years
Fastlane 1 year
White Collar 5 years (so far)
Total: 15 years

40) SANDRA OH
Arliss: 6 years
Grey’s Anatomy: 9 years

Total: 15 years

41) ICE-T
Law & Order: Special Victims Unit 15 years (so far)
Total 15 years





42)  OZZIE & HARRIET NELSON:
The Adventures of Ozzie & Harriet: 14 Years
Ozzie's Girls: 1 Year

Total: 15 Years
(David Nelson and Ricky Nelson did 14 Years each)

43) ROBERT URICH

SWAT: 2 Years
SOAP! 1 Year
 TABITHA: 1 Year
VEGA$: 3 Years
Gavilan: 1 Year
Spenser For Hire: 3 Years
Crossroads: 2 Years
Love Boat: The Next Wave: 1 Year
Emeril: 1 Year

Total: 15 Years





44) WILLIAM SHATNER
Barbary Coast: 1 Year
Star Trek 3 years
T.J. Hooker 4 Years
TekWar 2 Years
Boston Legal 4 Years
$h!t My Dad Says 1 Year
Total: 15 Years



45) GEORGE CLOONEY
E/R (sitcom with Elliot Gould) 1 year
The Facts of Life 2 years
Baby Talk 1 Year
Roseanne 3 years
Bodies of Evidence 1 Year
Sisters 1 Year
E/R 5 Years
Total: 14 years




46) TOM SELLECK

Magnum, P.I.: 8 Years
The Closer: 1 Year
Las Vegas: 1 Year
Blue Bloods: 4 Years (S0 far)
Total: 14 Years

(Also had recurring roles on The Rockford Files, Boston Legal and Friends. And was on daytime soap The Young & The Restless for 2 Years)







Not pictured

Millburn Stone:
 Gunsmoke: 20 Years

Amanda Blake:
Gunsmoke: 19 Years

Ken Curtis:
Gunsmoke: 17 Years

S. Epatha Merkerson
Law & Order: 16 Years

Dann Floek:
Law & Order: Special Victims Unit: 15 Years

George Eads:
 CSI: 14 Years

Paul Guilfoyle: 
 CSI: 14 Years